{"id":60,"date":"2026-01-13T20:13:52","date_gmt":"2026-01-13T17:13:52","guid":{"rendered":"https:\/\/unite-mag.com\/2026\/01\/13\/9-ocakta-ankarada-br-gn\/"},"modified":"2026-09-10T21:27:02","modified_gmt":"2026-09-10T18:27:02","slug":"9-ocakta-ankarada-br-gn","status":"publish","type":"post","link":"https:\/\/unite-mag.com\/en\/9-ocakta-ankarada-br-gn\/","title":{"rendered":"9 Ocak\u2019ta Ankara\u2019da Bir G\u00fcn"},"content":{"rendered":"
\n

Sahnenin \u00d6n\u00fcnde, Haf\u0131zan\u0131n \u0130\u00e7inde<\/h2>\n

GIrls to the Front Foto\u011fraf Sergisi \u2014 UnIte Ortak Mek\u00c2n<\/h4>\n

Yaz\u0131<\/strong>: Murat Karacan<\/p>\n<\/div>\n

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9 Ocak 2026, UNITE Ortak Mek\u00e2n<\/figcaption><\/figure>\n
\n

\u00d6ncelikle s\u00f6ylemek isterim; amac\u0131m yorum yapmak de\u011fil; benim i\u00e7in son derece k\u0131ymetli oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm bir ba\u011flam kurmak.<\/p>\n

9 Ocak 2026, benim i\u00e7in s\u0131radan bir g\u00fcn olmad\u0131.
G\u00fcnler \u00f6ncesinden kat\u0131lmay\u0131 planlad\u0131\u011f\u0131m iki etkinlik vard\u0131; ancak g\u00fcn ilerledik\u00e7e, bu iki etkinli\u011fin temas ettikleri yerlerin d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcmden \u00e7ok daha fazla kesi\u015fti\u011fini fark ettim. Bu fark edi\u015f, beni daha dikkatli, daha a\u00e7\u0131k ve daha fark\u0131nda oldu\u011fum bir hale getirdi.<\/p>\n

K\u0131sa ve net s\u00f6yleyeyim;
9 Ocak, Simone de Beauvoir\u2019\u0131n do\u011fum g\u00fcn\u00fcyd\u00fc. Benim o g\u00fcn kat\u0131ld\u0131\u011f\u0131m iki etkinli\u011fin de merkezinde kad\u0131nlar vard\u0131. Her ne kadar, bu tarihin mek\u00e2nlar\u0131n uygunluk durumuna g\u00f6re ayarlanm\u0131\u015f oldu\u011fu mek\u00e2n sorumlular\u0131 taraf\u0131ndan ifade edilmi\u015f olsa da, tarihin denk gelmesinden dolay\u0131 tatl\u0131, ho\u015f bir tesad\u00fcf durumunun olu\u015fmas\u0131 g\u00fczeldi. Hikaye olu\u015fturan bir duruma denk d\u00fc\u015f\u00fcyordu benim i\u00e7in. \u00d6yle de oldu zaten..<\/p>\n

Ek olarak;
Kendi ad\u0131ma, Beauvoir\u2019\u0131 her zaman zarif ama sars\u0131c\u0131 bulmu\u015fumdur; d\u00fc\u015f\u00fcncesinin hala canl\u0131, hala rahats\u0131z edici ve hala yol a\u00e7\u0131c\u0131 oldu\u011funu d\u00fc\u015f\u00fcn\u00fcr\u00fcm. <\/p>\n

Sergiye gitmeden \u00f6nce, bir d\u0131\u015f ses refleksiyle Instagram payla\u015f\u0131mlar\u0131na k\u0131sa bir not d\u00fc\u015ft\u00fcm. Amac\u0131m; serginin Beauvoir\u2019\u0131n do\u011fum g\u00fcn\u00fcyle ayn\u0131 g\u00fcne denk gelmesinin, d\u00fc\u015f\u00fcnsel k\u00f6kleri hat\u0131rlatmak i\u00e7in iyi bir f\u0131rsat oldu\u011funu s\u00f6ylemekti. Serginin bilerek bu tarihe denk getirilmedi\u011fini sergide \u00f6\u011frendim. Sadece tatl\u0131 bir tesad\u00fcft\u00fc bu. Ama benim i\u00e7in \u00f6nemli olan tesad\u00fcf de\u011fil, sezgiydi.<\/p>\n

Girls to the Front kolektifinin sezgisel olarak yapt\u0131\u011f\u0131 i\u015fi, d\u00fc\u015f\u00fcnsel bir tarihe ba\u011flaman\u0131n \u00f6nemli oldu\u011funu d\u00fc\u015f\u00fcn\u00fcyorum. 9 Ocak tarihi bana bu cesareti verdi. Bunun alt\u0131n\u0131 bir kez daha \u00e7izmeliyim.<\/p>\n

\u015e\u00f6yle g\u00f6r\u00fcyorum;
Girls to the Front, sahnenin \u00f6n\u00fcnde duruyor. Riot Grrrl hareketi, o sahnenin arkas\u0131ndaki politik bilin\u00e7. Simone de Beauvoir ise bu hatt\u0131n teorik omurgas\u0131. Bu \u00fc\u00e7\u00fc birlikte okundu\u011funda, kolektifin yapt\u0131\u011f\u0131 \u015feyin zannettiklerinden bile daha b\u00fcy\u00fck bir yerden konu\u015ftu\u011fu ortaya \u00e7\u0131k\u0131yor.<\/p>\n<\/div>\n

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9 Ocak 2026, UNITE Ortak Mek\u00e2n<\/figcaption><\/figure>\n
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G\u00fcn\u00fcn Ak\u0131\u015f\u0131<\/strong>
Sabah Ankara Kent Konseyi\u2019nde Siyasette Kad\u0131n\u0131n Yeri ba\u015fl\u0131kl\u0131 bir sempozyumla ba\u015flayan g\u00fcn, ak\u015fam\u0131nda UNITE Ortak Mek\u00e2n\u2019da bamba\u015fka bir yere evrildi.
Bu ge\u00e7i\u015f, yaln\u0131zca mekansal de\u011fil; benim i\u00e7in ayn\u0131 zamanda zihinsel bir ge\u00e7i\u015fti.<\/p>\n

UNITE Ortak Mek\u00e2n\u2019a do\u011fru ilerlerken, yol \u00fcst\u00fcnde bir dostla kar\u015f\u0131la\u015ft\u0131m. \u0130smini burada anmayaca\u011f\u0131m, kendisinden izin almad\u0131\u011f\u0131m i\u00e7in. Ama \u015funu s\u00f6ylemeliyim; y\u0131llar \u00f6ncesinde kendimi g\u00fcncelleme gerekti\u011fini fark etti\u011fim e\u015fikte, g\u00f6r\u00fcnmez eme\u011fi olan insanlardan biridir.
Baz\u0131 g\u00fcnler b\u00f6yle ba\u015flar; insan fark\u0131nda olmadan do\u011fru yere do\u011fru y\u00fcr\u00fcd\u00fc\u011f\u00fcn\u00fc hisseder.<\/p>\n

Sergiye Giri\u015f<\/strong>
UNITE Ortak Mek\u00e2n\u2019a girdi\u011fimde defterimi \u00e7\u0131kard\u0131m. Etkilendi\u011fim foto\u011fraflar\u0131 ve onlar\u0131 \u00e7ekenlerin isimlerini not almak istiyordum. Daha ilk anda, kendimi yak\u0131n hissetti\u011fim ama yak\u0131n zamanda kaybetti\u011fimiz Peyk grubunun solisti \u0130rfan\u2019\u0131n foto\u011fraf\u0131yla kar\u015f\u0131la\u015ft\u0131m.
Melda At\u0131c\u0131\u2019n\u0131n \u00e7ekti\u011fi bu kare, sergide g\u00f6rd\u00fc\u011f\u00fcm ilk foto\u011fraft\u0131. \u00c7ok g\u00fczeldi. Elinde mikrofonla ho\u015fgeldiniz der gibiydi ama ayn\u0131 zamanda \u00e7ok da h\u00fcz\u00fcnl\u00fcyd\u00fc.
Benim i\u00e7in sadece sergide ge\u00e7irece\u011fim vaktin de\u011fil, g\u00fcn\u00fcn tonunu o an belirledi diyebilirim.<\/p>\n

Sonras\u0131nda, kolektif ekibinin \u00e7ekti\u011fi, sergideki foto\u011fraflar aras\u0131nda dola\u015fmaya ba\u015flad\u0131m.
Hepsi \u00e7ok de\u011ferliydi ve \u00e7ok g\u00fczellerdi; ama baz\u0131lar\u0131 beni daha uzun s\u00fcre durup bakmaya, d\u00fc\u015f\u00fcnmeyi zorlad\u0131.
O foto\u011fraflar benim i\u00e7in \u015funlard\u0131;<\/p>\n<\/div>\n

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9 Ocak 2026, UNITE Ortak Mek\u00e2n<\/figcaption><\/figure>\n
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Yine Melda At\u0131c\u0131<\/strong>\u2019n\u0131n
Resa Saffa Park \u2014 2025<\/strong>
Akl\u0131ma san\u0131r\u0131m filmde giydi\u011fi k\u0131rm\u0131z\u0131 k\u0131yafetten \u00f6t\u00fcr\u00fc Kim Basinger ve L.A. Confidential filmi d\u00fc\u015ft\u00fc. Kim Basinger\u2019\u0131n neo-noir bir hikayedeki hali gibi. G\u00fc\u00e7l\u00fc, mesafeli, sahnenin \u00f6n\u00fcnde ama anlat\u0131n\u0131n i\u00e7inde.<\/p>\n

S\u0131la Argun \u2014 2025<\/strong>
Kapal\u0131 g\u00f6zler\u2026 Foto\u011frafta en \u00e7ok kapal\u0131 g\u00f6zlerine tak\u0131l\u0131 kald\u0131m. Konsantre olunmu\u015f, ba\u015fl\u0131yoruz diyen bir hal i\u00e7erisinde oldu\u011fu duygusu yaratt\u0131 bende.
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014
Bengi Aktar \u2014 Shame, 2025<\/strong>
Foto\u011fraf adeta \u015funu s\u00f6yl\u00fcyor; sahnede utanma olmaz. Sahnede edep olmaz. Z\u0131plama an\u0131n\u0131n yakalanmas\u0131 ve sanat\u00e7\u0131n\u0131n, elindeki enstr\u00fcman\u0131 ve sahnedeki di\u011fer aletlerle bir estetik bir uyum oldu\u011funu d\u00fc\u015f\u00fcnmekteyim.
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 
G\u00fclra Karab\u0131y\u0131k \u2014 Faun, 2023<\/strong>
Sahnede foto\u011fraf\u0131n\u0131n \u00e7ekilece\u011fini bilen, buna haz\u0131rl\u0131kl\u0131 bir beden dili var gibi sahnedeki sanat\u00e7\u0131n\u0131n. Sahneden seyirciyle kurulan, belki de bir anl\u0131k olan fark\u0131ndal\u0131k an\u0131 yakalanm\u0131\u015f.
Sahne i\u00e7in daha bir \u00e7ok \u015fey s\u00f6ylenebilir.
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014
Selma Z\u00fclal Sivri – Ozbi<\/strong>
Ozbi\u2019nin sahnede kendinden ge\u00e7ti\u011fi bir an. Eller, seyirciye d\u00f6n\u00fck; s\u0131ra sizde deme hali, tavr\u0131.
Bu karede beni her zaman etkileyen bir \u015fey vard\u0131; sahne \u0131\u015f\u0131\u011f\u0131. Sanat\u00e7\u0131n\u0131n pozu ile \u0131\u015f\u0131\u011f\u0131n birlikte yakalanm\u0131\u015f olmas\u0131 ve birbirlerinin parlakl\u0131klar\u0131n\u0131 desteklemi\u015f olmalar\u0131. Ayr\u0131ca, bu foto\u011fraf sergi alan\u0131nda as\u0131l\u0131 oldu\u011fu yerde, \u00fczerine d\u00fc\u015fen \u0131\u015f\u0131k sayesinde ayr\u0131 bir kompozisyonda yarat\u0131yordu bana g\u00f6re. Selma Z\u00fclal Sivri\u2019ye hem bu foto\u011fraf hem de sergideki yak\u0131n ilgisi ve \u00e7ekti\u011fi foto\u011fraflar\u0131 ad\u0131na anlat\u0131m\u0131, a\u00e7\u0131klamalar\u0131 i\u00e7in ayr\u0131ca te\u015fekk\u00fcr bor\u00e7luyum.
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014
B\u00fc\u015fra Bozdemir<\/strong>
When Pentagrams Plays Fly \u2014 2019
Dr. Skull \u2014 2019<\/strong>
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014
Eda Er<\/strong>
Fatma Turgut \u2014 2025<\/strong>
Y\u0131llar i\u00e7indeki d\u00f6n\u00fc\u015f\u00fcm\u00fcne tan\u0131kl\u0131k etmek hissinin, can\u0131m\u0131 ac\u0131tmas\u0131 \ud83d\ude42
Kalben \u2014 2025<\/strong>
Jolly Joker\u2019de \u00e7ekilmi\u015f bu foto\u011fraf\u0131n, Kalben\u2019in hem \u0131\u015f\u0131\u011f\u0131n\u0131 hem de o ele avuca s\u0131\u011fmaz taraf\u0131n\u0131 \u00e7ok net g\u00f6steriyor olmas\u0131.
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 –
Ezo Semiz <\/strong>\u2014 Dilan Balkay, 2024<\/strong>
En sevdi\u011fim enstr\u00fcmanlardan biri. Ama burada esas olan parmaklar benim i\u00e7in.
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014
Ezgi \u00dcner <\/strong>\u2014 Passing Sound, 2024<\/strong>
I\u015f\u0131k m\u0131 daha h\u0131zl\u0131, ses mi yoksa g\u00f6r\u00fcnmeyen ama hissedilen ritim mi?
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 –
T\u00fclya \u00c7avu\u015fo\u011flu<\/strong>
Octopus Garden \u2014 Belgrad Orman\u0131, 2020<\/strong>
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014
Pelin K\u0131l\u0131\u00e7<\/strong>
Jay-Jay Johanson \u2014 2025<\/strong>
Yeni bir alb\u00fcm yaparsa, kapak kesinlikle bu olmal\u0131.
Hooverphonic \u2014 2025<\/strong>
Ge\u00e7mi\u015ften gelen bir ba\u011f var aram\u0131zda. Ne desem havada kal\u0131r.
Yousuke Yukimatsu \u2014 2025<\/strong>
Benim ya\u015flar\u0131mdaki pek \u00e7ok insan\u0131, o d\u00f6nemi bilenleri, do\u011frudan Faithless\u2019a \u0131\u015f\u0131nlayan bir enerji verdi. G\u00fczel g\u00fcnlerdi.
Fontaines D.C \u2014 2025<\/strong>
Fena halde Ankara\u2019dan \u00e7\u0131kma Gece grubunun solisti Can Baydar\u2019\u0131 \u00e7a\u011fr\u0131\u015ft\u0131rd\u0131 bana.
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 –
Naz Y\u0131ld\u0131r\u0131m – Emre Fel, 2024<\/strong>
Sahne \u0131\u015f\u0131\u011f\u0131yla sahnedeki sanat\u00e7\u0131y\u0131 ayr\u0131 d\u00fc\u015f\u00fcnemedi\u011finiz bir kare daha. Eski M\u0131s\u0131r\u2019da bir ayin an\u0131 gibi. Sahnede sanat\u00e7\u0131n\u0131n, seyirci ile olan ili\u015fkisinin bir Firavun edas\u0131yla kuruluyor hissi vermesi.
Fon, beni o d\u00f6neme g\u00f6t\u00fcrd\u00fc.
\u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 \u2014 –
Ceyda Sude Tunal\u0131<\/strong>
Viyola Partisi, 2025<\/strong> <\/p>\n<\/div>\n

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2026, UNITE Ortak Mek\u00e2n<\/figcaption><\/figure>\n
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SERG\u0130N\u0130N RUHUNA DA\u0130R<\/strong>
Bu sergi yaln\u0131zca konser foto\u011fraflar\u0131ndan olu\u015fan bir se\u00e7ki olarak alg\u0131lanmamal\u0131d\u0131r. Sahnenin \u00f6n\u00fcnde duran kad\u0131nlar\u0131n, sahnenin tarihine, haf\u0131zas\u0131na ve bug\u00fcn\u00fcyle kurdu\u011fu ili\u015fkiye dair bir kay\u0131t olarak g\u00f6r\u00fclmesi gerekir. Girls to the Front tam olarak bunu yap\u0131yor; G\u00f6r\u00fcn\u00fcr olan\u0131 belgeliyor, g\u00f6r\u00fcnmez olan\u0131 hat\u0131rlat\u0131yor.<\/p>\n

Sergi s\u0131ras\u0131nda ya\u015fanan bir an bunu \u00e7ok iyi \u00f6zetledi. Giri\u015fte as\u0131l\u0131 b\u00fcy\u00fck bir ka\u011f\u0131t afi\u015f, kimse dokunmadan, kendili\u011finden yukar\u0131dan a\u015fa\u011f\u0131ya do\u011fru y\u0131rt\u0131ld\u0131. O an akl\u0131ma gelen tek kelime \u015fuydu: PUNK.<\/strong>
Planl\u0131 de\u011fildi, kurgu de\u011fildi. Ama tam da bu y\u00fczden serginin ruhuyla birebir \u00f6rt\u00fc\u015f\u00fcyordu. Bir aksilik de\u011fil, net olarak s\u00f6ylemek gerekirse sessiz bir jestti.<\/p>\n<\/div>\n

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9 Ocak 2026, UNITE Ortak Mek\u00e2n<\/figcaption><\/figure>\n
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TAB\u0130\u0130 K\u0130 MEK\u00c2N;<\/strong>
Mek\u00e2nda dola\u015f\u0131rken ba\u015fka bir zaman k\u0131r\u0131lmas\u0131 daha ya\u015fad\u0131m. Yakla\u015f\u0131k yirmi y\u0131ld\u0131r g\u00f6rmedi\u011fim, lise \u00e7a\u011flar\u0131ndan tan\u0131d\u0131\u011f\u0131m insanlara rastlad\u0131m. O zamanlar \u00e7ocuk dedi\u011fim insanlar, \u015fimdi k\u0131rkl\u0131 ya\u015flar\u0131nda, tam kar\u015f\u0131mdayd\u0131lar. Onlara hala \u00e7ocuk dememin nedeninin al\u0131\u015fkanl\u0131k de\u011fil; HAFIZA oldu\u011funu belitmeliyim.<\/p>\n

\u0130nsan baz\u0131 y\u00fczleri, b\u00fcy\u00fcm\u00fc\u015f halleriyle de\u011fil, tan\u0131d\u0131\u011f\u0131 ya\u015fla birlikte hat\u0131rl\u0131yor. Daha \u00f6tesinde, sergide foto\u011fraflar\u0131 olan Al\u2019york grubunun davulcusunun da yine lise d\u00f6nemlerinden tan\u0131d\u0131\u011f\u0131m bir arkada\u015f oldu\u011funun s\u00f6ylenmesi, beni bir anda yirmi y\u0131l \u00f6ncesine g\u00f6t\u00fcrd\u00fc.<\/p>\n

Ankara\u2019ya geri d\u00f6n\u00fc\u015f\u00fcm\u00fcn d\u00f6rd\u00fcnc\u00fc ay\u0131nda, Ankara bana bunu devaml\u0131 yap\u0131yor, y\u0131llar\u0131n ayr\u0131l\u0131\u011f\u0131n\u0131n ac\u0131s\u0131n\u0131 \u00e7\u0131karmak ister gibi; hi\u00e7 beklemedi\u011fin bir anda seni eski bir soka\u011fa, eski bir zamana, bir anda \u00f6ylece b\u0131rakabiliyor.<\/p>\n

Kendi ad\u0131ma ben; UNITE Ortak Mek\u00e2n\u2019\u0131 bir S\u00fcrekli \u00d6\u011frenme Merkezi olarak g\u00f6r\u00fcyorum. <\/p>\n

K\u00fclt\u00fcrle, sanatla, edebiyatla beslenen bir kalk\u0131nma anlay\u0131\u015f\u0131n\u0131n somut hali gibi. Kim oldu\u011funuzla, ne yapt\u0131\u011f\u0131n\u0131zla, ne kadar bildi\u011finizle ilgilenmeyen bir a\u00e7\u0131kl\u0131k hali var burada. UNITE\u2019\u0131n en g\u00fc\u00e7l\u00fc taraf\u0131 da bu; yani s\u00fcrekli \u00f6\u011frenme merkezi olarak kap\u0131s\u0131n\u0131n herkese a\u00e7\u0131k olmas\u0131 ve bunu her daim ifade eden \u015fah\u0131slar\u0131n orada olmas\u0131.<\/p>\n

Serginin sonlar\u0131na do\u011fru, ziyaret\u00e7i say\u0131s\u0131n\u0131n azalmas\u0131 sonras\u0131nda oturdum ve insanlar\u0131 izledim. On be\u015f y\u0131l Ankara\u2019dan uzak kalm\u0131\u015f bir Ankaral\u0131 olarak \u015funu net olarak g\u00f6rd\u00fcm diyebilirim;
\u015eehir ger\u00e7ekten de\u011fi\u015fmi\u015f. \u0130nsan profili, beden dili, temas bi\u00e7imleri\u2026
\u015eehir ba\u015fka bir yere do\u011fru evrilmi\u015f.<\/p>\n

Dayan\u0131\u015fman\u0131n, birarada olunmas\u0131n\u0131n, k\u00fc\u00e7\u00fck olunsa dahi asl\u0131nda etkili olunabilece\u011finin \u00f6nemi, empati i\u00e7eren i\u015f birli\u011fi anlay\u0131\u015f\u0131n\u0131n strateji yarataca\u011f\u0131na dair olan fark\u0131ndal\u0131\u011fa alan
a\u00e7\u0131lmas\u0131 mevzusu netle\u015fmi\u015f. (Bu durumla alakal\u0131 olarak bir SWOT Analiz \u00e7al\u0131\u015fmas\u0131 da yapt\u0131k. \u0130\u015f birli\u011finin \u015fart oldu\u011fu sonucu hakim analizde)<\/p>\n

Ek olarak; sergiden ayr\u0131lmama yak\u0131n \u00f6nce Morcheeba, ard\u0131ndan Coldplay \u00e7almaya ba\u015flad\u0131 mekanda. Benim i\u00e7in bu, g\u00fcr\u00fclt\u00fcs\u00fcz, sakin, ama yo\u011fun bir ruh halinde ge\u00e7mi\u015fe a\u00e7\u0131lan birka\u00e7 dakikayd\u0131.<\/p>\n

Ve en son \u015funu d\u00fc\u015f\u00fcnd\u00fcm ve not ald\u0131m ayr\u0131lmadan \u00f6nce;
Baz\u0131 mekanlar yaln\u0131zca sergi a\u00e7m\u0131yorlar. Zaman, haf\u0131za a\u00e7\u0131yorlar ve b\u00f6yle yerler insana, neden hala bakmaya, not almaya ve tan\u0131kl\u0131k etmeye devam etti\u011fini yeniden hat\u0131rlat\u0131yorlar. <\/p>\n

Ertesi g\u00fcn yani 10 Ocak 2025 tarihinde, Girls to the Front ekibiyle ayn\u0131 mekanda bir s\u00f6yle\u015fi yap\u0131laca\u011f\u0131n\u0131 \u00f6\u011frendim. Bu, serginin yaln\u0131zca bir g\u00f6sterim de\u011fil; konu\u015fmaya, payla\u015fmaya ve \u00e7o\u011falmaya a\u00e7\u0131k bir s\u00fcre\u00e7 olarak kurguland\u0131\u011f\u0131n\u0131n da bir g\u00f6stergesi bana g\u00f6re.<\/p>\n<\/div>\n

\"
Girls to the Front ekibi s\u00f6yle\u015fisi, 2026, UNITE Ortak Mek\u00e2n<\/figcaption><\/figure>\n
\n

Foto\u011fraflar\u0131n duvarda kalmamas\u0131 ve kolektif taraf\u0131ndan s\u00f6ze d\u00f6n\u00fc\u015ft\u00fcr\u00fclmesi , kolektif ruhunu diri tutan \u015feylerin ba\u015f\u0131nda gelen bir ad\u0131m \u00e7\u00fcnk\u00fc.<\/p>\n

\u00c7\u0131kmadan hemen \u00f6nce, sergiye girerken kar\u015f\u0131la\u015ft\u0131\u011f\u0131m ilk foto\u011frafa, Peyk grubunun solisti \u0130rfan\u2019\u0131n foto\u011fraf\u0131n\u0131n kar\u015f\u0131s\u0131na bir kez daha gittim. Ne yapt\u0131\u011f\u0131m\u0131 tam olarak nas\u0131l tarif ederim bilmiyorum; elimi uzatt\u0131m, foto\u011frafa hafif\u00e7e dokundum. Belki bir selam, belki bir veda. Belki de sadece ge\u00e7mi\u015fe tutunmak ya da ge\u00e7mi\u015fe dokunmak ve bug\u00fcne tutunmak ihtiyac\u0131yd\u0131 yapt\u0131\u011f\u0131m.<\/p>\n

Baz\u0131 y\u00fczler vard\u0131r; yaln\u0131zca bir m\u00fczisyeni de\u011fil, bir d\u00f6nemi, bir hissi, bir ruh halini temsil ederler. \u0130rfan benim i\u00e7in biraz \u00f6yle. O foto\u011fraf\u0131n kar\u015f\u0131s\u0131nda durmak, yaln\u0131zca bir kayb\u0131 de\u011fil; m\u00fczi\u011fin ve gen\u00e7li\u011fin i\u00e7 i\u00e7e ge\u00e7ti\u011fi bir zaman\u0131 hat\u0131rlamak gibiydi.<\/p>\n

Mek\u00e2ndan \u00f6yle ayr\u0131ld\u0131m. Ge\u00e7mi\u015fe dokunarak.<\/p>\n

Yolda bir kez daha d\u00fc\u015f\u00fcnd\u00fcm;
Ge\u00e7mi\u015f, geride kalan bir \u015fey de\u011fil. Do\u011fru mek\u00e2nda, do\u011fru zamanda, do\u011fru insanlar bir araya geldi\u011finde, yeniden konu\u015fan bir \u015fey.<\/p>\n

Girls to the Front Foto\u011fraf Sergisi ve UNITE Ortak Mekan, tam olarak bunu yapt\u0131 dedim kendi kendime. Hat\u0131rlatt\u0131, biriktirdiklerimize yenilerini katt\u0131, bug\u00fcne ta\u015f\u0131d\u0131.<\/p>\n

Derinlik ekleyerek katk\u0131 sunaca\u011f\u0131m\u0131z mekanlar\u0131n her daim y\u00fckselmesi ve ya\u015famas\u0131 dile\u011fiyle\u2026<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Sahnenin \u00d6n\u00fcnde, Haf\u0131zan\u0131n \u0130\u00e7inde GIrls to the Front Foto\u011fraf Sergisi \u2014 UnIte Ortak Mek\u00c2n Yaz\u0131: Murat Karacan \u00d6ncelikle s\u00f6ylemek isterim; amac\u0131m yorum yapmak de\u011fil; benim i\u00e7in son derece k\u0131ymetli oldu\u011funu d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fcm bir ba\u011flam kurmak. 9 Ocak 2026, benim i\u00e7in s\u0131radan bir g\u00fcn olmad\u0131.G\u00fcnler \u00f6ncesinden kat\u0131lmay\u0131 planlad\u0131\u011f\u0131m iki etkinlik vard\u0131; ancak g\u00fcn ilerledik\u00e7e, bu iki etkinli\u011fin […]<\/p>\n","protected":false},"author":283014129,"featured_media":184,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1414,1381],"tags":[],"class_list":["post-60","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kent-mimari","category-kuram-deneme"],"_links":{"self":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/users\/283014129"}],"replies":[{"embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/comments?post=60"}],"version-history":[{"count":4,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts\/60\/revisions"}],"predecessor-version":[{"id":1665,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts\/60\/revisions\/1665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/media\/184"}],"wp:attachment":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/media?parent=60"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/categories?post=60"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/tags?post=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}