{"id":2137,"date":"2026-10-05T20:37:44","date_gmt":"2026-10-05T17:37:44","guid":{"rendered":"https:\/\/unite-mag.com\/gorunenin-ardinda-muhteva\/"},"modified":"2026-10-05T20:37:47","modified_gmt":"2026-10-05T17:37:47","slug":"gorunenin-ardinda-muhteva","status":"publish","type":"post","link":"https:\/\/unite-mag.com\/en\/gorunenin-ardinda-muhteva\/","title":{"rendered":"G\u00f6r\u00fcnenin Ard\u0131nda: Muhteva"},"content":{"rendered":"
\n

Yaz\u0131: Ay\u00e7a G\u00fcne\u015f<\/p>\n

UNITE Ortak Mekan\u2019\u0131n 2026\u20132027 sezon a\u00e7\u0131l\u0131\u015f sergisi olan Muhteva, Ali \u0130brahim Yi\u011fit, Ali Yayla, Ay\u00e7a Bu\u011flagil, Bartu K\u0131l\u0131\u00e7, Deniz K\u0131l\u0131n\u00e7, Do\u011fa Ertekin, Eren Kenar, Feraye Do\u011fan, Firuze Bade Babat, G\u00fclay Y\u0131ld\u0131r\u0131m, Mehmet G\u00fcndo\u011fan ve Zeynep B\u00fcy\u00fckarman\u2019\u0131n \u00fcretimlerini bir araya getiriyor. Sergi, g\u00fcn\u00fcm\u00fczde g\u00f6rsel t\u00fcketimin h\u0131zlanmas\u0131yla birlikte y\u00fczeyin ve bi\u00e7imin giderek daha g\u00f6r\u00fcn\u00fcr h\u00e2le gelmesi, i\u00e7eri\u011fin ise geri planda kalmas\u0131 \u00fczerinden bir tart\u0131\u015fma a\u00e7\u0131yor.<\/strong><\/p>\n

Bir yap\u0131t\u0131, d\u00fc\u015f\u00fcnceyi ya da mek\u00e2n\u0131 dolduran as\u0131l unsur nedir? Muhteva sergisinin \u00e7\u0131k\u0131\u015f noktas\u0131n\u0131 olu\u015fturan bu soru, ilk bak\u0131\u015fta sanat\u0131n en temel tart\u0131\u015fmalar\u0131ndan birini yeniden g\u00fcndeme getiriyor gibi g\u00f6r\u00fcnebilir. Ancak serginin as\u0131l meselesi, bana kal\u0131rsa, \u201ci\u00e7erik nedir?\u201d sorusundan biraz daha farkl\u0131 bir yerde duruyor. \u00c7\u00fcnk\u00fc burada tart\u0131\u015f\u0131lan yaln\u0131zca bir eserin ne anlatt\u0131\u011f\u0131 de\u011fil, onu anlaml\u0131 h\u00e2le getiren \u015feyin nerede bulundu\u011fu. Bir nesnenin i\u00e7inde mi, sanat\u00e7\u0131n\u0131n d\u00fc\u015f\u00fcncesinde mi, sergilendi\u011fi mek\u00e2nda m\u0131, yoksa izleyicinin onunla kar\u015f\u0131la\u015fmas\u0131nda m\u0131? Ya da hat\u0131rlatt\u0131\u011f\u0131 \u015fey ne?<\/p>\n

Bu noktada Muhteva\u2019n\u0131n g\u00fcncel g\u00f6rsellerle kurdu\u011fu ili\u015fki olduk\u00e7a \u00f6nemli. Bug\u00fcn bir g\u00f6r\u00fcnt\u00fcye bakmak i\u00e7in ay\u0131rd\u0131\u011f\u0131m\u0131z s\u00fcrenin giderek k\u0131sald\u0131\u011f\u0131n\u0131 s\u00f6ylemek m\u00fcmk\u00fcn. Bir i\u015fin ne oldu\u011fu, ne kadar dikkat \u00e7ekti\u011fi, nas\u0131l g\u00f6r\u00fcnd\u00fc\u011f\u00fc ve ilk kar\u015f\u0131la\u015fmada ne hissettirdi\u011fi, bazen i\u015fin kendisinden \u00e7ok daha fazla \u00f6nem kazanabiliyor.<\/p>\n

Sorumuza yakla\u015ft\u0131\u011f\u0131m\u0131zda, yeniden mek\u00e2nsalla\u015ft\u0131rma ve hat\u0131rlama kavramlar\u0131, mek\u00e2n\u0131 bi\u00e7imlendiren unsurlar olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. En basit h\u00e2liyle mek\u00e2n, \u201cinsan\u0131n fiziksel ihtiya\u00e7lar\u0131n\u0131 kar\u015f\u0131layan bir \u2018ev\u2019 olarak var olurken, ayn\u0131 zamanda zihinsel ve duygusal ihtiya\u00e7lar\u0131n kar\u015f\u0131lanaca\u011f\u0131 bir bar\u0131nak g\u00f6revi de \u00fcstlenir. Duygu ve d\u00fc\u015f\u00fcncelerini, k\u00fclt\u00fcr\u00fcn\u00fc ve ya\u015fama ili\u015fkin edinimlerini, ya\u015fad\u0131\u011f\u0131 o \u2018yer\u2019e, yani sahip oldu\u011fu mek\u00e2na yans\u0131tmak isteyen insan, bunu ba\u015farabilme yollar\u0131n\u0131n ke\u015ffini her g\u00fcn s\u00fcrd\u00fcrmektedir\u201d (Ta\u015f\u00e7\u0131o\u011flu, 2020, s. 16).<\/p>\n

\"Feraye
Feraye Do\u011fan, “Mektep”, 2026, Metal grav\u00fcr bask\u0131 (C3+C5), 29 x 35 cm<\/figcaption><\/figure>\n

Yeni bir soru ortaya \u00e7\u0131k\u0131yor: Yokluk, mek\u00e2na y\u00f6nelik yakla\u015f\u0131m\u0131 nas\u0131l etkiler? Mek\u00e2n\u0131 kendi yakla\u015f\u0131mlar\u0131 do\u011frultusunda etkileyen ve \u015fekillendiren sanat\u00e7\u0131lar bu noktada devreye giriyor. Muhteva\u2019n\u0131n \u201ci\u00e7erik\u201d fikrini tek ve sabit bir anlam olarak ele almad\u0131\u011f\u0131 g\u00f6r\u00fcl\u00fcyor. Sanat\u00e7\u0131lar\u0131n yakla\u015f\u0131mlar\u0131nda bo\u015fluk, y\u00fczey, malzeme, g\u00fcndelik nesneler, haf\u0131za, atmosfer ve izleyiciyle kurulan ili\u015fki gibi birbirinden farkl\u0131 unsurlar \u00f6ne \u00e7\u0131k\u0131yor; ancak b\u00fct\u00fcn bu yakla\u015f\u0131mlar, g\u00f6r\u00fcnenin tek ba\u015f\u0131na yeterli olmad\u0131\u011f\u0131 noktas\u0131nda kesi\u015fiyor.<\/p>\n

Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda sergideki \u201cmuhteva\u201d, eserin i\u00e7ine \u00f6nceden yerle\u015ftirilmi\u015f ve izleyici taraf\u0131ndan bulunmay\u0131 bekleyen bir \u00f6zden \u00e7ok, \u00fcretim s\u00fcreci, malzeme, sanat\u00e7\u0131n\u0131n deneyimi ve izleyicinin bak\u0131\u015f\u0131 aras\u0131nda olu\u015fan de\u011fi\u015fken bir alan olarak beliriyor. Dolay\u0131s\u0131yla sergide g\u00f6r\u00fcn\u00fcr olan ile onun ard\u0131nda kalan aras\u0131nda kesin bir s\u0131n\u0131r \u00e7izmek m\u00fcmk\u00fcn de\u011fil; aksine y\u00fczey, \u00e7o\u011fu zaman g\u00f6r\u00fcnmeyene a\u00e7\u0131lan ve anlam\u0131n her kar\u015f\u0131la\u015fmada yeniden kurulmas\u0131n\u0131 sa\u011flayan bir e\u015fik i\u015flevi g\u00f6r\u00fcyor.<\/p>\n

Bu durum \u201chat\u0131rlama\u201d kavram\u0131 i\u00e7in de ge\u00e7erli. Hat\u0131rlamak yaln\u0131zca ge\u00e7mi\u015fte ya\u015fanm\u0131\u015f bir \u015feyi yeniden zihne getirmek de\u011fildir. Hat\u0131rlanan \u015fey, her seferinde bug\u00fcn\u00fcn i\u00e7inden yeniden kuruluyor. Bir g\u00f6r\u00fcnt\u00fc, nesne ya da iz ge\u00e7mi\u015fe ait olsa bile onunla bug\u00fcn kurdu\u011fumuz ili\u015fki de\u011fi\u015febiliyor. Mek\u00e2n\u0131 \u201cev\u201d ile tan\u0131mlayarak ula\u015fmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131m\u0131z nokta da burada yeniden devreye giriyor. \u00d6rne\u011fin, \u201cher evin kendine has, \u00f6zg\u00fcn bir kokusu varsa, bu zihinlerdeki hat\u0131rlama ve mek\u00e2nsalla\u015ft\u0131rma y\u00f6ntemlerinin de kendine has ve \u00f6zg\u00fcn oldu\u011fu\u201d s\u00f6ylenebilir. Dolay\u0131s\u0131yla mek\u00e2n, yaln\u0131zca fiziksel s\u0131n\u0131rlar\u0131yla de\u011fil, onda biriken deneyimler, duyular ve hat\u0131ralar arac\u0131l\u0131\u011f\u0131yla da varl\u0131k kazan\u0131yor.<\/p>\n

\"Ay\u00e7a
Ay\u00e7a Bu\u011flagil “Yans\u0131mas\u0131z Cam”, 2026, Serigrafi Bask\u0131, 56 x 42 cm<\/figcaption><\/figure>\n

On iki sanat\u00e7\u0131n\u0131n \u00fcretimlerine bakt\u0131\u011f\u0131m\u0131zda, tek bir teknik, malzeme ya da bi\u00e7imsel yakla\u015f\u0131m \u00fczerinden ilerleyen bir sergiden s\u00f6z etmedi\u011fimizi g\u00f6r\u00fcyoruz. Zaten Muhteva\u2019n\u0131n iddias\u0131 da ortak bir estetik dil yaratmak de\u011fil. Daha \u00e7ok, farkl\u0131 \u00fcretim bi\u00e7imlerinin ayn\u0131 soru etraf\u0131nda nas\u0131l bir araya gelebilece\u011fini ortaya koymak.<\/p>\n

\"Ali
Ali \u0130brahim Yi\u011fit, “Yuva”, 2026, kar\u0131\u015f\u0131k teknik(kuma\u015f, dantel, elyaf, marker), 150 x 40 cm<\/figcaption><\/figure>\n

Sonu\u00e7ta Muhteva, g\u00f6rsel t\u00fcketimin bu kadar h\u0131zland\u0131\u011f\u0131 bir d\u00f6nemde izleyiciden yaln\u0131zca bakmas\u0131n\u0131 de\u011fil, bakt\u0131\u011f\u0131 \u015feyin i\u00e7inde ve \u00e7evresinde biraz daha uzun s\u00fcre kalmas\u0131n\u0131 istiyor olabilir. G\u00f6r\u00fcnenin arkas\u0131nda mutlaka gizli bir anlam oldu\u011funu iddia etmektense, anlam\u0131n g\u00f6r\u00fcn\u00fcr olan ile g\u00f6r\u00fcnmeyen aras\u0131nda nas\u0131l olu\u015ftu\u011funa bak\u0131yor.<\/p>\n

Belki de serginin ortaya att\u0131\u011f\u0131 sorunun kesin bir cevab\u0131 yok. Zaten Muhteva kelimesini ilgin\u00e7 k\u0131lan da biraz bu. \u00c7\u00fcnk\u00fc muhteva, yaln\u0131zca bir \u015feyin i\u00e7inde bulunan ve oradan \u00e7\u0131kar\u0131lmay\u0131 bekleyen bir i\u00e7erik de\u011fil; bak\u0131\u015fla, deneyimle, mek\u00e2nla ve hat\u0131rlamayla birlikte s\u00fcrekli yeniden kurulan bir anlam alan\u0131 olarak d\u00fc\u015f\u00fcn\u00fclebilir.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

UNITE Ortak Mekan\u2019\u0131n 2026\u20132027 sezon a\u00e7\u0131l\u0131\u015f sergisi olan Muhteva, Ali \u0130brahim Yi\u011fit, Ali Yayla, Ay\u00e7a Bu\u011flagil, Bartu K\u0131l\u0131\u00e7, Deniz K\u0131l\u0131n\u00e7, Do\u011fa Ertekin, Eren Kenar, Feraye Do\u011fan, Firuze Bade Babat, G\u00fclay Y\u0131ld\u0131r\u0131m, Mehmet G\u00fcndo\u011fan ve Zeynep B\u00fcy\u00fckarman\u2019\u0131n \u00fcretimlerini bir araya getiriyor. Sergi, g\u00fcn\u00fcm\u00fczde g\u00f6rsel t\u00fcketimin h\u0131zlanmas\u0131yla birlikte y\u00fczeyin ve bi\u00e7imin giderek daha g\u00f6r\u00fcn\u00fcr h\u00e2le gelmesi, i\u00e7eri\u011fin ise geri planda kalmas\u0131 \u00fczerinden bir tart\u0131\u015fma a\u00e7\u0131yor.<\/p>","protected":false},"author":283014123,"featured_media":2134,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1376,1384],"tags":[],"class_list":["post-2137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gorsel-sanatlar","category-sergi"],"_links":{"self":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts\/2137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/users\/283014123"}],"replies":[{"embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/comments?post=2137"}],"version-history":[{"count":1,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts\/2137\/revisions"}],"predecessor-version":[{"id":2138,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts\/2137\/revisions\/2138"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/media\/2134"}],"wp:attachment":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/media?parent=2137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/categories?post=2137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/tags?post=2137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}