{"id":2118,"date":"2026-09-24T17:22:11","date_gmt":"2026-09-24T14:22:11","guid":{"rendered":"https:\/\/unite-mag.com\/sevdiginin-yoklugu-insani-hep-yeni-bir-sey-yapmaya-itiyor\/"},"modified":"2026-09-24T17:22:11","modified_gmt":"2026-09-24T14:22:11","slug":"sevdiginin-yoklugu-insani-hep-yeni-bir-sey-yapmaya-itiyor","status":"publish","type":"post","link":"https:\/\/unite-mag.com\/en\/sevdiginin-yoklugu-insani-hep-yeni-bir-sey-yapmaya-itiyor\/","title":{"rendered":"Sevdi\u011finin Yoklu\u011fu \u0130nsan\u0131 Hep Yeni Bir \u015eey Yapmaya \u0130tiyor"},"content":{"rendered":"
\n

Yaz\u0131: Ahmet Mert Hasret<\/p>\n

Perfin Hozatl\u0131o\u011flu\u2019nun ilk ki\u015fisel sergisi 13-28 Haziran\u2019da Ankara\u2019da Maus Art Space\u2019de ziyaret\u00e7ileriyle bulu\u015ftu. \u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek isimli sergiyi Ahmet Mert Hasret a\u015fk, birey ve \u00f6zlem \u00e7er\u00e7evesinden kaleme ald\u0131.<\/strong><\/p>\n

\u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek, ad\u0131n\u0131 Latife Tekin\u2019in Zamans\u0131z isimli kitab\u0131ndan al\u0131yor. A\u015fk\u0131n platonik taraflar\u0131n\u0131 saklayan sergi, Perfin ve a\u015f\u0131k halinin tek ki\u015filik d\u00fc\u011f\u00fcn\u00fc olarak bize ula\u015f\u0131yor. Bu a\u015fk haliyle, hayvanlar alemine ve onlar\u0131n a\u015fk hikayelerine, ayr\u0131ca insan ya\u015fam\u0131ndaki baz\u0131 rit\u00fcellere kendini benzeten sergi, a\u015fk\u0131n muhatab\u0131yla kavu\u015fmay\u0131 \u201cart\u0131k sen oldum\u201d denildi\u011fi anda ger\u00e7ekle\u015fen ama ard\u0131 bilinmeyen bir kapan\u0131\u015f i\u00e7inde metaforla\u015ft\u0131r\u0131yor. Sergi yerle\u015ftirmesi, bir kalbin di\u011fer yar\u0131s\u0131n\u0131 arama yolunda \u201cevin da\u011f\u0131l\u0131nca yuvan geni\u015flermi\u015f\u201d c\u00fcmlesini hat\u0131rlat\u0131rcas\u0131na, ancak kap\u0131 d\u0131\u015far\u0131 edilerek i\u00e7eri girilebilece\u011fini birden fazla dura\u011fa b\u00f6lerek izleyicisine anlat\u0131yor. Her durakta yeni bir ihtimalin hikayesinin okundu\u011fu sergide, uzakta kalm\u0131\u015f yak\u0131nl\u0131klar\u0131m\u0131z\u0131 tek ki\u015filik d\u00fc\u011f\u00fcnle bir a\u015f\u0131\u011f\u0131n sevgiliye olan \u00f6zleminden g\u00f6rebiliyoruz. A\u015f\u0131\u011f\u0131n, kendinden ba\u015flad\u0131\u011f\u0131 yolu, yine kendinde bitirdi\u011fini anlad\u0131\u011f\u0131 i\u00e7 g\u00f6r\u00fcs\u00fcn\u00fc, etraf\u0131nda kendi gibi duygulanabilen canl\u0131lar\u0131n ya\u015famlar\u0131ndan par\u00e7alar toplamas\u0131yla b\u00fcy\u00fct\u00fcyor.<\/p>\n

\"\u00dcst\u00fc
\u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek Sergisinden Genel G\u00f6r\u00fcn\u00fcm, 2026, Maus Art Space.
Foto\u011fraf: Ahmet Mert Hasret<\/figcaption><\/figure>\n

Sergi, Perfin\u2019in r\u00fcyalarla ve r\u00fcya rit\u00fcelleriyle kurdu\u011fu ili\u015fkiyle, sevgilinin yoklu\u011fundan\/eksikli\u011finden do\u011fru geni\u015flemekte. Bu geni\u015fleme sergi mekan\u0131n\u0131n i\u00e7inde yeni kurgusal mekan\u0131n belirmesiyle ger\u00e7ekle\u015fiyor. \u00c7eperleri u\u00e7u\u015f u\u00e7u\u015f, varl\u0131\u011f\u0131 kendi saydaml\u0131\u011f\u0131 kadar olan bu yeni yap\u0131 seyircinin alan i\u00e7inde ilerlerken bir r\u00fcya ger\u00e7ekli\u011fiyle kar\u015f\u0131la\u015fmas\u0131n\u0131 sa\u011fl\u0131yor. \u0130ki ayr\u0131 havzaya b\u00f6l\u00fcnen yeni kurgusal salon, giri\u015fte a\u015f\u0131k \u00f6znenin muhatab\u0131n\u0131 bulma\/\u00f6\u011frenme arzusundan ka\u00e7amad\u0131\u011f\u0131 \u201cr\u00fcyaya yatma\u201d rit\u00fcelinin, susuz kalarak kendini terbiye etme haz\u0131rl\u0131\u011f\u0131yla seyirciyi kar\u015f\u0131l\u0131yor. Rit\u00fcelin ger\u00e7ekte hi\u00e7 g\u00f6r\u00fclmeyen ancak r\u00fcyada g\u00f6r\u00fclen ki\u015fiye a\u015f\u0131k olma deneyimini adeta bizzat sanat\u00e7\u0131 denemi\u015f.<\/p>\n

\"Perfin
Perfin Hozatl\u0131o\u011flu, K\u0131smet (2026), Ke\u00e7e \u0130\u011fneleme-Enstalasyon, 50×50 cm – \u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek, Maus Art Space. Foto\u011fraf: Ahmet Mert Hasret<\/figcaption><\/figure>\n

Kavu\u015fulamayan a\u015fk\u0131n mutlak temsili sevgiliye olan hasretle, seyirciyi kar\u015f\u0131layan ilk havza r\u00fcya sekanslar\u0131 gibi davranarak i\u00e7eride olu\u015fturulmu\u015f yeni bir i\u00e7eriyi in\u015fa ediyor. Ancak i\u00e7indekinin g\u00f6r\u00fcnt\u00fcs\u00fcn\u00fc silmemek \u015fart\u0131yla tasarlanm\u0131\u015f bu \u201cyeni i\u00e7eri\u201d i\u00e7inde olup bitenlere d\u0131\u015far\u0131dan da \u015fahitlik edilmesine olanak vermi\u015f. T\u0131pk\u0131 a\u015fk\u0131n tamamlanm\u0131\u015f bir birlik olmas\u0131ndan ziyade, ask\u0131da kalm\u0131\u015f bir s\u00fcre\u00e7 olmas\u0131 gibi. (Atl\u0131, 2018)<\/p>\n

\"\u00dcst\u00fc
\u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek Sergisinden G\u00f6r\u00fcn\u00fcm, 2026, Maus Art Space.
Foto\u011fraf: Ahmet Mert Hasret<\/figcaption><\/figure>\n

Sergi tam olarak \u015fu sorular\u0131 \u00e7a\u011f\u0131r\u0131yor: Neden a\u015fk tamamlanamaz? Ve ger\u00e7ekten tamamlan\u0131rsa ne olur? Bu iki sorunun pe\u015finden giderken, farkl\u0131 bir ihtimalle kar\u015f\u0131la\u015f\u0131yorum. Ama bu ihtimal, klasik anlat\u0131lardaki gibi d\u0131\u015fsal engellerle ilgili de\u011fil. Daha \u00e7ok \u015fu soruyla ilgili: E\u011fer mesele d\u0131\u015f d\u00fcnya de\u011filse, engel nerede? Engel, a\u015f\u0131k \u00f6znenin kendindedir. Belki de a\u015fk\u0131 imk\u00e2ns\u0131z k\u0131lan \u015fey, iki ki\u015fi aras\u0131ndaki mesafe de\u011fil, \u201cben\u201din kendisini koruma bi\u00e7imidir. Bu y\u00fczden bu sergideki i\u015fler, kavu\u015famama h\u00e2lini yeniden \u00fcretmekten \u00e7ok, o h\u00e2lin hangi ko\u015fullarda de\u011fi\u015febilece\u011fini d\u00fc\u015f\u00fcnmeye \u00e7al\u0131\u015f\u0131yor. A\u015fk\u0131n eksiklikten beslendi\u011fi bir yap\u0131dan, ba\u015fka bir ili\u015fki ihtimali do\u011fabilir mi? Ve e\u011fer do\u011farsa, bu h\u00e2l h\u00e2l\u00e2 a\u015fk olur mu? A\u015fk masallar\u0131nda defaatle duydu\u011fumuz ertelenme\/gecikme hali a\u015fk\u0131n kendine dair bir \u015fey s\u00f6yler. \u201cKavu\u015famayan a\u015f\u0131klar bir ba\u015far\u0131s\u0131zl\u0131k hikayesi olmaktan \u00e7\u0131kar. Tam tersine, a\u015fk\u0131n en \u201cdo\u011fru\u201d hali gibi g\u00f6r\u00fcnmeye ba\u015flar. \u00c7\u00fcnk\u00fc eksiklik s\u00fcrd\u00fck\u00e7e a\u015fk da s\u00fcrer.\u201d<\/p>\n

\u0130zleyiciyi b\u00f6yle sorularla me\u015fgul eden sergi, retinal olandan olmayana bir gidi\u015fle t\u0131pk\u0131 kavramsal sanat\u0131n sorumlulu\u011funu \u00fcstlenmi\u015f gibi davranm\u0131\u015f. Bunu olduk\u00e7a \u015fiirsel ve kitsch olan tavr\u0131na ters d\u00fc\u015fse de yapm\u0131\u015f.<\/p>\n

\u0130lk havzadan sonra bizi kar\u015f\u0131layan ikinci perdeden ge\u00e7ildi\u011finde, ya\u015fanm\u0131\u015f her bir \u015feyin \u015fahitli\u011fini ayn\u0131 anda ve tek bir yerde ya\u015f\u0131yoruz. Olmu\u015f olan\u0131n ate\u015fiyle yan\u0131p tutu\u015furken, yaln\u0131z olup olmad\u0131\u011f\u0131n\u0131 sorgulayan a\u015f\u0131k, her zaman i\u00e7in etraf\u0131na bakmay\u0131, d\u0131\u015f d\u00fcnyayla ileti\u015fime ge\u00e7meyi se\u00e7ecektir, t\u0131pk\u0131 Perfin\u2019in yapt\u0131\u011f\u0131 gibi. Kendini ate\u015fe s\u00fcr\u00fckleyen kendi t\u00fcr\u00fcnden uzakla\u015f\u0131p, kendi gibi duygulanan hayvanlara yak\u0131nla\u015farak onlar\u0131n a\u015fk hikayelerinden beslenmi\u015f.<\/p>\n

\"Perfin
Soldaki: Perfin Hozatl\u0131o\u011flu, Uzak K\u00f6rfezleri \u00d6zleyen H\u00fclyal\u0131 Y\u0131lan Bal\u0131\u011f\u0131 (2026), Ke\u00e7e \u0130\u011fneleme, 25x15x120 cm.- \u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek, Maus Art Space.
Sa\u011fdaki: Perfin Hozatl\u0131o\u011flu, Cin Kulakl\u0131 Saplant\u0131l\u0131 Bir Gelincik (2026), Ke\u00e7e \u0130\u011fneleme, 24x20x74 cm, \u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek, Maus Art Space. Foto\u011fraf: Kadir Y\u0131lmaz<\/figcaption><\/figure>\n

Y\u0131lan bal\u0131\u011f\u0131 ve gelinci\u011fin a\u015fk\u0131 Latife Tekin\u2019in Zamans\u0131z kitab\u0131nda t\u00fcrler aras\u0131 imkans\u0131z a\u015fktan, ve araya giren mesafeden bahseder. Hikayede y\u0131lan bal\u0131\u011f\u0131na olan a\u015fk\u0131ndan \u201cbir\u201d olmaya \u00e7al\u0131\u015fan gelincik a\u015fk\u0131n\u0131 kendinden uzakla\u015ft\u0131r\u0131p \u0131zd\u0131rap \u00e7eker. Gelincik kendi \u0131srar\u0131ndan do\u011furdu\u011fu bu a\u015fkta y\u0131lan bal\u0131\u011f\u0131n\u0131 yukar\u0131lara kald\u0131rd\u0131\u011f\u0131 kendini a\u015fa\u011f\u0131ya koydu\u011fu yerden nefes al\u0131r. A\u015fk masallar\u0131n\u0131n da en k\u0131ymetli a\u015famas\u0131 olan ayr\u0131l\u0131k zamanlar\u0131nda, gelincik y\u0131lan bal\u0131\u011f\u0131yla bir olma (ben olma hali) durumundan s\u0131yr\u0131lamad\u0131\u011f\u0131 i\u00e7in a\u015fk\u0131n\u0131 bulunamayacak uzakl\u0131kta b\u0131rak\u0131r. Mesafenin yoklu\u011fu insana sonsuz kez uzakl\u0131\u011f\u0131 hat\u0131rlat\u0131r, \u201cbensin\u201d demek, seni g\u00f6remeyece\u011fim kadar yak\u0131n\u0131mdas\u0131n demektir ve a\u015f\u0131klar aras\u0131nda bir mesafenin olmad\u0131\u011f\u0131n\u0131 s\u00f6yler. Halbuki mesafe yak\u0131nl\u0131k demektir ve tam da bu sebepten \u00f6t\u00fcr\u00fc bereketli bir \u015feydir.<\/p>\n

A\u015fk her zaman tek ki\u015filik bir meseledir, t\u0131pk\u0131 sanat gibi. \u0130li\u015fkilendi\u011fimiz, kar\u015f\u0131m\u0131za ald\u0131\u011f\u0131m\u0131z her imge i\u00e7imizde var olandan bir \u015feyler \u00e7a\u011f\u0131r\u0131p yan\u0131m\u0131za getirecektir. Kendini al\u0131mlay\u0131c\u0131s\u0131na g\u00f6steren imge o anda tamamen kendini yok etmi\u015f olur ve al\u0131mland\u0131\u011f\u0131 haliyle g\u00f6r\u00fclmeye ba\u015flar. Art\u0131k yaln\u0131z ba\u015f\u0131na de\u011fildir, kendi ve yan\u0131ndaki veya kar\u015f\u0131s\u0131ndakinin \u00e7a\u011f\u0131rd\u0131\u011f\u0131 ile var olur.<\/p>\n

\"Perfin
Perfin Hozatl\u0131o\u011flu, A\u015fk Yahut Bir Par\u00e7a G\u00fczel Bir Peynir (2025), Ke\u00e7e \u0130\u011fneleme, 24x20x74 cm.- \u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek, Maus Art Space. Foto\u011fraf: Kadir Y\u0131lmaz<\/figcaption><\/figure>\n

Y\u0131lan bal\u0131\u011f\u0131 ve gelinci\u011fin mesafesiz a\u015fk\u0131n\u0131n yan\u0131 ba\u015f\u0131nda Perfin sevgiliye yazd\u0131\u011f\u0131 mektuplar\u0131n\u0131 \u00fczerine i\u015fetti\u011fi s\u0131\u00e7anla a\u015fa\u011f\u0131lar. A\u015fk\u0131n\u0131 yazd\u0131\u011f\u0131 mektuplar\u0131n duygusunu u\u011fratt\u0131\u011f\u0131 bu y\u0131k\u0131mla i\u00e7inde var olmu\u015f yeni bir \u015feye d\u00f6n\u00fc\u015ft\u00fcr\u00fcr. \u201cYeniden in\u015fada mutlaka spolia, yani y\u0131k\u0131lan yap\u0131lar\u0131n malzemesinden de yararlan\u0131ld\u0131\u011f\u0131 unutulmamal\u0131, \u00e7\u00fcnk\u00fc t\u00fcm uygarl\u0131k b\u00f6yle bir y\u0131kma ve yeniden in\u015fan\u0131n \u00fcr\u00fcn\u00fc” (Ero\u011flu, 2020, s.37). Yeniden in\u015fa edilen asl\u0131nda a\u015f\u0131\u011f\u0131n imgesidir; \u00e7aresiz, birbirinden uzakta ve yaln\u0131z iki a\u015f\u0131k imgesi bu yerle\u015ftirmeyle y\u0131k\u0131lm\u0131\u015ft\u0131r. Perfin kendi duygusuna ancak kendi m\u00fcdahale edebilmek i\u00e7in yarat\u0131lm\u0131\u015f a\u015f\u0131k imgesini y\u0131kmay\u0131 tercih etmi\u015ftir. \u201cDuchamp, Mona Lisa imgesine farkl\u0131 bir bak\u0131\u015f getirmek i\u00e7in gene Mona Lisa imgesinden yararlanm\u0131\u015ft\u0131r\u201d (Ero\u011flu, 2020, s.38). Bu de\u011fi\u015fimin ne\u015fesiz bir g\u00fczelli\u011fi vard\u0131r.<\/p>\n

\"Perfin
\u00dcstteki: Perfin Hozatl\u0131o\u011flu, Bug\u00fcn Nas\u0131ls\u0131n, 2024, Ke\u00e7e \u0130\u011fneleme, 15×35 cm.-\u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek, Maus Art Space.
Alttaki: Perfin Hozatl\u0131o\u011flu, Gelincik, 2024, Ke\u00e7e \u0130\u011fneleme, 78×90 cm.-\u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek, Maus Art Space. Foto\u011fraf: Kadir Y\u0131lmaz<\/figcaption><\/figure>\n

Serginin sonundaki yerle\u015ftirmenin alt k\u0131sm\u0131nda yer alan Gelincik isimli i\u015f, serginin ana hatt\u0131n\u0131 olu\u015fturan hikayedeki a\u015f\u0131klardan biri olan gelincikle manidar bir yak\u0131nl\u0131\u011fa sahiptir. D\u00f6ng\u00fc a\u00e7\u0131ld\u0131\u011f\u0131 yerde kapan\u0131r. Gelincik, Perfin\u2019in o zamanlar bilmedi\u011fi gelece\u011fiyle \u00e7oktan ili\u015fki kurdu\u011funu s\u00f6yler. \u201cArt\u0131k senim\u201d diyebilene kadar kat etti\u011fi yolculu\u011funda, kar\u015f\u0131s\u0131na \u00e7\u0131kanlar\u0131 \u00f6yk\u00fcledi\u011fi i\u015flerinde, kendini ger\u00e7ekle\u015ftiren kehanet gibi, yarat\u0131lm\u0131\u015f d\u00f6ng\u00fcn\u00fcn sonu serginin bitiminde son bulur. Bir olabilme gayretiyle d\u00f6n\u00fcp duran a\u015f\u0131k, ba\u015flad\u0131\u011f\u0131 noktaya art\u0131k eskiden oldu\u011fu halinde olamama \u015fart\u0131yla tekrar u\u011fram\u0131\u015ft\u0131r.<\/p>\n

Bir olma iste\u011fi do\u011fald\u0131r, normaldir ama patolojiyi taklit eder. A\u015fk patolojinin kendidir ve tam da bu sebepten sonludur. Di\u011fer t\u00fcrl\u00fcs\u00fc \u0131zd\u0131rap olacakt\u0131r. A\u015fk bencildir, sadece almak ister, vermekle bir ilgisi yoktur. Bu ona korkutucu gelir, bu y\u00fczden de hep eksiktir. \u0130nsan her zaman eksikli\u011finden do\u011fru a\u015f\u0131k olur, \u201c\u015fimdi bununla tamamlanaca\u011f\u0131m\u201d dedi\u011fine y\u00f6nelir. En tehlikeli olan\u0131 da umut etmesidir. Sevdi\u011finin bir par\u00e7a sevgisini alabilmek ad\u0131na umut dolu bir bekleyi\u015fle sabreder, sevdi\u011finin yoklu\u011fu hi\u00e7 yap\u0131lmayacak olan\u0131 yapt\u0131r\u0131r. Ferhat\u2019\u0131n \u015eirin\u2019i i\u00e7in da\u011flar\u0131 delmesi gibi.<\/p>\n

\u00d6zlemimiz her zaman ya\u015fanamam\u0131\u015f olana olacak.<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Perfin Hozatl\u0131o\u011flu\u2019nun ilk ki\u015fisel sergisi 13-28 Haziran\u2019da Ankara\u2019da Maus Art Space\u2019de ziyaret\u00e7ileriyle bulu\u015ftu. \u00dcst\u00fc A\u00e7\u0131k Yara Gibi S\u0131zlas\u0131n A\u015fk\u0131m\u0131z Sonsuza Dek isimli sergiyi Ahmet Mert Hasret a\u015fk, birey ve \u00f6zlem \u00e7er\u00e7evesinden kaleme ald\u0131.<\/p>","protected":false},"author":283014123,"featured_media":2112,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1376,1384],"tags":[],"class_list":["post-2118","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gorsel-sanatlar","category-sergi"],"_links":{"self":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts\/2118","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/users\/283014123"}],"replies":[{"embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/comments?post=2118"}],"version-history":[{"count":0,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/posts\/2118\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/media\/2112"}],"wp:attachment":[{"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/media?parent=2118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/categories?post=2118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unite-mag.com\/en\/wp-json\/wp\/v2\/tags?post=2118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}